I Ate Myself In Interactive Installation

In the digital age, every selfie and posting is both self-expression and self-consuming. The work uses "self-consumption" as a metaphor, transforming the identity display on social platforms into a digital eating ceremony. Selfies uploaded by the audience become "offer" instantly processed through TouchDesigner, and their facial images are decomposed and corrupted, and finally presented in a "food" form. This process simulates the gradual disintegration and consumption of images as they are viewed and shared, and implies how we constantly feed ourselves to others in digital social interactions. The work combines facial tracking, image decomposition, corruption and interactive control. The audience not only witnesses the corruption of images, but also becomes the "swallower" in participation. This is a fable about identity, consumption and digital existence.

在数位时代，每一次自拍与发帖，既是自我表达，也是自我消耗。作品以「自我消费」为隠喻，将社交平台中的身份展示转化为一场数位进食仪式。 观众上传的自拍即成为「供品」透过 TouchDesigner 即时处理，其面部图像被分解、腐败，最终以「食物」般的形态投影呈现。这一过程模拟了影像在被观看与分享中逐步崩解、被消费的状态，暗示我们如何在数位社交中将自己不断喂养给他人。作品结合脸部追踪、影像分解、腐败动书与交互控制，观众不仅见证图像腐化，更在参与中成为「吞食者」。这是一场关于身份、消费与数位存在的寓言。