《China in a Village》

The series design work "China in a Village" takes inspiration from the village's homeland and childhood memories, condensing the simple village on the plain where more than 80 households live into a cultural symbol that carries collective nostalgia. When the smoke from cooking, the bungalows, and the shade of locust trees are reflected in memory, those "old things" soaked in body temperature become the medicine that heals the soul - the temperature in the coarse pottery bowl condenses the survival wisdom of the ancestors, the fireworks in the alleys are the epic of ordinary life, and my "living harbor" is also my inexhaustible source of inspiration. The "China in a Village" series of women's clothing designs, with 90% of its core materials sourced from three major channels. One method is to recycle the waste generated by clothing companies, factories, and fabric recycling stations in Guangzhou and surrounding areas, including test fabrics, sample color cards, cutting scraps, and defective fabrics. The second part of the material comes from the useless items I recycle in my daily life. Thirdly, a portion of the materials are taken from old items that are considered "useless" and discarded in the village. Although these materials may seem abandoned and hidden in corners of the world, they actually contain unique value. I use the concept of regeneration design to deeply explore their potential charm through recycling, disinfection, sorting, and classification.

系列设计《一个村庄里的中国》以村庄故土与儿时记忆为灵感来源，将平原上那座聚居着80多户人家的质朴村落，凝练为承载集体乡愁的文化符号。当炊烟、平房与槐荫在记忆显影，那些浸润着体温的“旧物”便成了疗愈心灵的良药——粗陶碗里的温度凝结着先民的生存智慧，小巷间的烟火是平凡生活的史诗，我的“栖身港湾”也是我永不枯竭灵感源泉。 《一个村庄里的中国》系列女装设计，其核心材质的90%源自三大渠道。其一回收广州及周边地区服装公司、工厂以及面料回收站所产生的废弃物，包括测试面料、样板色卡、裁剪余料以及瑕疵面料。其二部分材质源于我在日常生活中回收的无用物品。其三，还有一部分则取材于村庄里被视作“无用”而被丢弃的老物件。这些材料虽看似已被遗弃，隐匿于世间的角落，但实际上蕴含着独特的价值。我通过回收、消毒、整理与分类，运用再生设计理念，深入挖掘它们潜在的魅力。